Home

This post was first written for Vinspire and is reproduced here with their kind permission.

Those of you with a keen memory may remember that a couple of months ago I went to a fantastic vertical tasting at West London Wine School featuring one of the premier Mosel wine producers, J. J. Prüm. Shortly after this I was alerted to a tasting being held at another of my favourite wine haunts, Theatre of Wine; they were showcasing one of the top producers from the Nahe – Dönnhoff. I simply could not resist the opportunity to learn a bit more about that noblest of noble grapes, Riesling.

The session was led (admirably as ever) by Jason from Theatre of Wine, who had been over to visit the Weinguts just a week or so earlier and had spent some time with members of the Dönnhoff family. Instead of doing a vertical tasting, ie: tasting through the years, Jason had another idea; he wanted to look at wines from across the family’s various vineyards (they have nine sites in total) in one single year, 2012. This is because the Dönnhoff family have a very interesting concept when it comes to their wine production; they produce all of their wine, from all estates, in exactly the same way in every given year. They don’t believe in concepts that you may read about elsewhere such as “the craft of the winemaker”; instead they see themselves as the custodians of the vines and the grapes and it is their duty to produce them as best they can, without too much interference. They want to let the grapes and, in particular, the terroir speak for itself. Jason stated that it was his belief that no grape expresses its origin, its terroir as much as the Riesling grape and he wanted to demonstrate it through this tasting.

Herr Teufelskreis_20140710_19_17_53_Pro__highres

So, with this in mind, we began…

We started with a Kahlenberg Trocken, Bad Kreuznach, Nahe (£24.70). Fresh and fruity, it had a slight vegetal layer of complexity on the nose. On tasting, it had a slightly spritzy taste with decent levels of acidity and minerality – which is what you’re really looking for in these kinds of wines. Decent finish. 7/10.

Dellchen Riesling Grosse Gewächse (the German equivalent of premier cru), Norheim, Mahe (£41.60). Very complex on the nose, heady and intense. Redolent of tropical fruits and side notes of spice. Really defined acidity on the palate giving an extremely long and bright finish. Fresh and grassy with hints of citrus fruits. Really classy and elegant wine. 8.5/10 (my favourite of the dry wines).

Hermannshöhle Riesling Grosse Gewächse, Niederhäusen, Nahe (£43.40). Less fruity than the last wine, more vegetal. It asked more questions then it gave answers. On the mouth it was refreshing and finessed, poised and balanced, with a very long finish. I thought it was good, but it lacked a little of the oomph compared to the Dellchen. 8/10.

We did try a Pinot Gris as a kind of mid-session interval and to mark the transition between the trocken (dry) wines and the halb-trocken (off-dry) wines. It wasn’t for me really and I was glad to get back to the Rieslings!

Krötenpfuhl Riesling Kabinett, Bad Kreuzberg, Nahe (£17.90). Kabinetts are the first level on the German Prädikatswein system. This was fragrant and had notes of tropical fruit, but it was slightly reserved on the mouth. It was, however, very good value for the price; a thoroughly decent wine. 7.5/10.

Felsenberg Riesling Spätlese, Schlossböckelheim, Nahe (£29.00). Sweet with definite notes of passion fruit bursting forth. I noted some delicate floral notes too. On the mouth it was bright and fresh, vibrant and brilliant. It had a taste that reminded me of Seville oranges and lychee and had bags of personality. The finish was long and pervasive. Wonderful. 8.5/10

Hermannshöhle Riesling Spätlese, Niederhäusen, Nahe (£39.00). Less exuberant on the nose, but still with tropical notes – pineapple in this case. On tasting, however, it demonstrated incredible balance; intense and fruity, with a candied pineapple flavour. The acidity that was clearly present balanced with the sweetness wonderfully to give it that balance. A memorable wine. 9/10

2011 Brücke Riesling Auslese Gold Cap, Oberhäusen, Nahe (£28.80/half). This was the one wine that wasn’t from 2012. Notably sweeter than the two spätleses, seemed to have a touch of botrytis to it. My first thought on tasting it was of a lovely marmalade, sweet and fruity but with an undercurrent of acidity. Was very well balanced and had a long and insistent finish, which was comfortably over 30 seconds. 9/10.

So there you have it, a superlative wine tasting. I really did feel that by the end I understood what the Dönnhoff family intended and what Jason meant. We had six wines from 2012, all put through the same machinery and techniques and all stored in the same way. The differences between these wines became apparent as we went through the tasting and demonstrated to me exactly the subtleties and vagueries that I have come to love about the world of wine. It is possible for me to say that I like Dönnhoff wines, it is also possible to say that I especially enjoyed the wines from Dellchen and Hermannshöhle, however this was just the 2012s. When the 2013s come out, I would really like to do a similar tasting with them and see whether I get the same results (hint, hint Jason!)

One thought on “Dönnhoff Tasting at Theatre of Wine – “The Lens of Terroir”

  1. Pingback: A review of 2014 | timmilford

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s